The screenwriter finally speaks
Jonathan Gems wrote Mars Attacks! with Tim Burton. He spent a decade inside Hollywood's most chaotic creative machine — and now he's telling everything. Studio politics. Jack Nicholson. Lisa Marie. The suits who tried to kill it.
Mars Attacks! was misunderstood, sabotaged, and dismissed — and then it became a cult classic. Jonathan Gems was at the centre of it all: the man who bought Tim Burton a pack of Topps trading cards, wrote the screenplay over nine years, and watched Hollywood's machinery try to grind something genuinely strange into something safe.
This book is a series of candid interviews conducted by Mila Pop — frank, funny, and sometimes shocking. It's about the creative partnership between two iconoclasts. It's about what happens when art collides with commerce. And it's about a film that dared to be weird in an era that punished weirdness.
Gems writes — and speaks — like someone who has nothing left to lose and everything to say. You'll meet Jack Nicholson. Glenn Close. Lisa Marie. Rod Steiger. Tim Burton in full creative flight. And the studio executives who didn't understand any of it.
Personal photographs from Jonathan Gems' own collection. The Hollywood years, the friendships, the film set — never previously published online.
© Jonathan Gems / Quota Books Limited. All photographs are personal property and may not be reproduced without written permission.
The physical book. Hold the classified documents in your hands. Ideal for reading alongside a rewatch of the film.
Read anywhere, instantly. Available with Whispersync — switch seamlessly between reading and listening to the audiobook.
Hear Jonathan Gems tell these stories in his own voice — with Mila Pop's interview questions as recorded. The closest thing to being in the room with him. Available on Audible and via Quota Books.
"This is not only an interesting recounting of the making of Mars Attacks! but also an in-depth observation of how the machinery of movie-making works — warts and all. Because Jonathan Gems was so completely involved with the film, from buying Tim Burton the cards to writing the script, this feels extraordinary in how detailed it is. A full look at the entire film process from someone who was there and remembers the tiniest details."
"This book is so much more than behind the scenes — much deeper than only the friendship of Jonathan Gems and Tim Burton. It's love between two great artists who happened to come across one another in a highly pressured environment. Fight for making the film happen, spiritual struggles, censorship of art — it's all here."
"Jonathan Gems is such an amazing storyteller, having been one of the highest-paid screenwriters of the 90s in Hollywood. This compilation of interviews reads more like a novel than just interviews. Fascinating insights into Hollywood — and so much more."
"Yes, people — get this book. A fantastic fun read. You will not be disappointed. It's like sitting on a couch with both Jonathan and Mila and hearing awesome stories on how a movie is written and put together."
"In Europe and South America, movies are called 'The Seventh Art.' In the USA, they are called 'The Industry.' After reading this insightful, funny and sometimes shocking book, I can see why."
"Brilliant book about the screenwriter's adventures with Tim Burton. Lots of wisdom learned from working in Hollywood that grinds people — and a touch of spiritual insights. Unexpected and fun. Very much recommended to anyone that loves film, not just Mars Attacks! fans."
In 2024, Jonathan Gems took live questions from the Reddit film community on r/movies — one of the internet's largest film forums. The AMA received 1,100 upvotes and 400 comments. Here are some highlights:
Q Any funny stories? ▲ 113
Jonathan Gems: Hm... I can only think of dark humour stuff, like: the Creative Team at Warner Bros, who were supposedly supervising me, kept telling me to cut out the first scene in the movie of the burning cows because they had a policy of "no cruelty to animals." I tried to please them but I refused to write anything I thought was bad and each draft I wrote (I did, like, 14 drafts) I could never think of a better opening for the film. After draft number 11, which still had the burning cows in it, I was told I would be fired if the burning cows were in the next draft. I wrote the 12th draft; submitted it; it still had the burning cows and, guess what? I was fired! Is that funny?
Q Was there a funniest moment behind the scenes with any of the actors? ▲ 98
Jonathan Gems: Sylvia Sidney was funny, who played Grandma Norris. She had this deep, gravelly voice and was a chain-smoker. And she was this beautiful hag who talked tough. Hard-boiled wisecracks, like from the 1940s. She'd kind of shock you by stuff she'd say — I remember us talking about cars and she sucked on her cigarette and said: "The price of gasoline is so high it's cheaper to buy cocaine and run everywhere."
Q What scene or characters were you most excited to see on film? ▲ 8
Jonathan Gems: Gosh! Hm. Well, I loved Lisa-Marie — what she did when she bites off Martin Short's finger... her spooky walk. I just thought she was delightful. I was being surprised by how good Michael J. Fox was. I thought he was amazing. You don't get all of how good he was because some of his scenes were cut. I was excited by Pierce Brosnan, who was playing the scientist exactly as I'd imagined him, and I was deeply gratified by Rod Steiger who was wonderful. What a great actor! It was exciting seeing Glenn Close effortlessly nail her character. I was astonished by Jack Black, whose work I didn't know. He was a real eye-opener. What scene was I most excited about? I think probably the "Why can't we just get along?" scene.
Q Were there any script ideas you really wanted to include, but that were shot down by either Burton or the studio?
Jonathan Gems: Yes. There were lots of script ideas shot down by the studio. It was a constant battle. They were paying me to write it but they hated it and hated me! Eventually, they fired me and passed the script to a writing team to "correct" all my mistakes. But, a month later, I was rehired. The story of that is in the book Mars Attacks Memoirs.
Q Do you think you would be able to make the film in current times — technically and socially? I can imagine a lot of pushback from studios to use CGI instead of real models, and people don't take parodies well anymore.
Jonathan Gems: I think it would be impossible to make a film like Mars Attacks! now. It was very hard back then!
Q Do you think that Elon will ever go to Mars? And if so, will they attack him when he gets there? ▲ 68
Jonathan Gems: If Elon ever goes to Mars, you can butter my butt and call me a biscuit.
The definitive account of how the film got made — and nearly unmade — from the man who created it.
Intimate portraits of Burton at work — his creative process, his relationships, his battles with studios.
How scripts actually get written, rewritten, sabotaged, and sometimes rescued. Real Hollywood craft.
The 90s studio system laid bare — the power, the money, the creative destruction, the occasional miracle.
Why some films get dismissed on release and become beloved over time — and what that costs the people who made them.
A genuine, unfiltered account of what happens when visionary artists meet institutional power. It's not pretty. It's fascinating.
Mars Attacks! (1996) — Original Trailer
Mars Attacks Memoirs — Audiobook Sample
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